wartime theater

Spotlight on Anthony Lam

One actor, one character, three plays: fellow actor Bobby Bermea profiles the star of Quiara Alegría Hudes' war trilogy at Profile Theatre

Anthony Lam has an infectious and generous spirit, and a high motor both as a person and a performer: everything he does, he does with an intense energy. A relatively new actor to the Portland theater scene, he’s a family man – he and his wife, Kimberly, have three kids; Nolan, 7, and the twins, Lilah and Alice, 4. He loves the stage (“That’s what I trained for. I trained on stage. I always knew upon graduation that I was always going to look for work on the stage.”) but the majority of his work, how he pays his bills and supports his family, is in TV and film.

It makes sense. He was born and bred in southern California and he’s TV/movie handsome, the product of Nicaraguan, Chinese and Spanish genes. Though he lost touch with his father, his grandfather was a central figure in his life, and Anthony kept the name Lam to honor him.

Anthony Lam, relaxing offstage. Photo: Bobby Bermea

I met Lam only recently, because he is the lead (along with Crystal Ann Muñoz) of the show I’m currently working on, Quiara Alegría Hudes’ Pulitzer Prize winning Water by the Spoonful, which is running through Nov. 19 in rotating repertory with The Happiest Song Plays Last at Profile Theatre. Water is the middle play in a trilogy – Elliott: A Soldier’s Fugue, Water by the Spoonful and Happiest Song – that follows a Puerto Rican family from north Philadelphia whose fate and fortunes are inextricably tied up in the U.S. military. The men of the family fight the wars. The women protest them and heal the wounds that are the result. Hudes weaves a beautiful, tragic, angry, and funny tapestry of lives, through which the one continuous thread is the character of Elliott Ortiz, who is played by Anthony Lam.

Continues…

‘Elliot’: a fertile seed, growing

"A Soldier's Fugue," The opening salvo in Profile Theatre's season of plays by Quiara Alegria Hudes, plants the promise of bigger things

One of the most striking bits of information you’ll encounter if you go to see Profile Theatre’s production of Elliot, a Soldier’s Fugue is dropped offhandedly into a program note by artistic director Josh Hecht, who mentions that “there are currently 21.8 million veterans in the United States.” That’s around seven percent of us, as if we’d sent the whole state of Florida, say, off to war — or the entire Northwest plus a chunk of Northern California. Or, to put it in terms that might hit home to 19-year-old Elliot Ortiz, serving in Iraq with the 1st Marine Division, that’s three and a half times the population of greater Philadelphia.

In any case, it’s quite a figure for a nation that thinks of itself as peace-loving, or at least peace-keeping; a peaceful nation ever at war.

Cristi Miles, Anthony Lam (in fatigues), Jimmy Garcia, Anthony Green (far right) in “Elliot.” Photo: David Kinder

The bulk of those veterans still around served in either Iraq, Vietnam or Korea: places — or do we think of them merely as conflicts — that serve as the generational benchmarks for Quiara Alegria Hudes’ play, which was first produced (in a slightly different version) at Portland’s Miracle Theatre in 2005. Inspired by the Iraq War experiences of her own cousin, Hudes presents three generations of men in the same family, examining what they made of their time at war and what that time made of them.

Continues…

 
Do NOT follow this link or you will be banned from the site!