visual theater

Spotlight on: Samantha Van Der Merwe and ‘Caucasian Chalk Circle’

Myth, story, and a striking visual sense have been the hallmarks of Shaking the Tree's creative force. Now she's taking on a Brecht classic.

Every year in the Rose City, a Shaking the Tree production is one of the most hotly anticipated events of the theatrical season. Samantha Van Der Merwe, Shaking the Tree’s founder, artistic director, and primary engine, has built a sterling reputation for work that is visually striking, thematically powerful and dramaturgically daring. She is perhaps our most adept magician, with an eclectic and facile command of the theatrical vocabulary. Her singular visual sense is part and parcel of her storytelling oeuvre. She has a knack for making simple choices that feel audacious. Van Der Merwe’s special gift is knowing the one specific detail that will alight the audience’s imagination, and make its members her intimates in the act of creation.

Samantha Van Der Merwe, Shaking the Tree’s driving creative force. Photo: Dmae Roberts

Now, Van Der Merwe has turned her attention to one of her most ambitious projects yet: Bertolt Brecht’s The Caucasian Chalk Circle, which opened in her company’s Southeast Portland warehouse space October 6 and continues through November 4. At first glance Brecht, the famed modernist and “epic theater” proponent, would seem an uneasy fit for Van Der Merwe’s particular brand of spell-casting. But if you look a little deeper, the pairing of the two disparate sensibilities seems almost inevitable.

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