Todias Andersen

ArtsWatch Weekly: Tragic love, Lear, art hop, film fest, all that jazz

A look at the week that was in Oregon arts. A glimpse ahead at the week that's going to be.

Not to give anything away, but it ends tragically. Maybe you’ve heard the tale: hot young guy, eager young miss, ardent passions, balcony scene, feuding families, stroke of violence, thwarted plan, poison potion, doom. Yes, it’s true: Romeo and Juliet‘s back in town. And not just any R&J, but James Canfield’s sumptuous ballet version. Canfield created it in 1989 for Pacific Ballet Theatre, and brought it with him to the new Oregon Ballet Theatre the following year when PBT and Ballet Oregon merged, and made it a mainstay of OBT’s repertory. It hasn’t been seen onstage here in more than fifteen years, since before Canfield and the OBT board parted ways abruptly in 2003, and Canfield’s work largely disappeared from town. Under artistic director Kevin Irving, OBT has been renewing the acquaintance, healing old wounds, and now one of Canfield’s signature pieces is back on the OBT stage at Keller Auditorium, opening Saturday and continuing through March 5. A little history is about to happen, and we’re not talking about the Shakespeare.

Ansa Deguchi and Brian Simcoe in James Canfield's "Romeo & Juliet" at Oregon Ballet Theatre. Photo: Blaine Truitt Covert

Ansa Deguchi and Brian Simcoe in James Canfield’s “Romeo & Juliet” at Oregon Ballet Theatre. Photo: Blaine Truitt Covert



On the other hand, with this one we are talking about the Shakespeare. And about the multitalented Portland stage and screen veteran Tobias Andersen, who at the beginning of his ninth decade is crawling out on the heath in the title role of the great King Lear. This is in many ways the pinnacle role in Shakespeare’s plays (although that’s open to a lot of argument), even more so than Hamlet or Prince Hal or Prospero or Macbeth, all of whom will get votes, along with some of the comic characters like Falstaff and Beatrice and Benedick. Andersen opens on Friday night at Post5 Theater, and we expect some weeping and wailing and gnashing of teeth, and, more to the point, a performer capable of diving deeply and profoundly into the tragedy. It continues through March 19.


Tobias Andersen as Lear: "You cataracts and hurricanoes, spout!" Photo: Russell J. Young

Tobias Andersen as Lear: “You cataracts and hurricanoes, spout!” Photo: Russell J. Young



Sunday, as you might have heard, will be the outpouring of the celebrity orgy that is the Academy Awards, and though it’s one of the most watched television spectacles on the planet, one of its dirty little secrets (it has quite a few) is that vast swaths of the broadcast audience won’t have seen most of the movies that are vying for statuettes. “I’ll catch it when it comes to Netflix,” people tell themselves, and then … well, where does the time go?


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