Suspended Moment: Activating the Nuclear Past + Present

I love the silence that surrounds me when I stand in the middle of a heavy snowfall. It feels strange and exciting, magical and otherworldly, like time is standing still. It’s amazing to me that you can see so much movement in the falling snow, but not hear a sound. In this moment, my senses are heightened and I notice things I’ve never noticed before. The snow is beautiful and I feel happy, calm, and my mind it quiet and focused-which is difficult to do sometimes.

The only other experience that I can equate to this, for me, is dancing and watching dance. In these moments I am able to focus my mind and my body, transport myself, and block out everything that isn’t necessary for that moment. Right now I want this. I am exhausted from the election, the constant chatter on Facebook, the news, the atrocities in the world, the suffering, the anger, the fighting, everything.

I am not trying to encourage sticking your head in the sand but rather to encourage art making, doing and seeing. It seems like the best possible way to process what is going on around us, and it might even give us a feeling of empowerment over our circumstances.

In keeping with the Thanksgiving tradition of avowing what we are thankful for, I am most thankful for dance and dance makers and artists of all kinds, they transport me and help me see and feel things I might not have been able to on my own.

I am specifically thankful for the four performances that I witnessed and participated in post-election and the ideas they left behind: my own, The Kitchen Sink, Linda Austin’s The last bell rings for you, Reggie Wilson’s Moses(es), and Suspended Moment: Activating the Nuclear Past + Present by Meshi Chavez, Yukiyo Kawano, Allison Cobb and Lisa DeGrace.

The Kitchen Sink was a year-long project that I worked on with fellow dancers Celine Bouly and Abigail Nace, which culminated last weekend at BodyVox. You can read about my process creating the dance in a story I wrote for ArtsWatch.

What’s my take away from my own show? I love circles. Circles are not a choreographic trope that choreographers use when they run out of ideas.They are beautiful, timeless, natural and full of meaning. Life is circular, my joints move in circles, I will always use them.

The last bell rings for you seemed to say that every “body” is sacred with the ringing of bells by performers (as well as audience members) as a variety of bodies moved as humans do throughout the performance space at Shaking the Tree Theatre, creating a sacred, church like atmosphere. These 28 bodies explored the space and each other, sometimes moving together, and sometimes not, and often were moved by unseen forces. That made me think about what is in our control and what is not.

Moses(es), which was created across the country in Brooklyn, New York, was similar in structure in so many ways to The last bell rings for you, which is amazing to me given the distance between the two companies. It made me wonder about the power of collective thinking, the evolution of post-modern dance, cultural expectations and that maybe we are more similar than dissimilar.

Suspended Moment: Activating the Nuclear Past + Present, which was performed in the Littman Gallery at Portland State University this past Tuesday, was a scary and timely reminder of what can happen to power when it’s left unchecked. Visual artist Yukiyo Kawano decorated the gallery space with two hanging replicas of the A-bombs dropped on Hiroshima and Nagasaki in August 1945 fabricated from her grandmother’s kimonos, stitched together with strands of her own hair. In addition she added hanging paper lanterns for the dead, a calligraphic tapestry on the wall with the famous work of Japanese poet Matsuo Basho’s Narrow Road to a Far Province, and a river of rice paper flowing down from the ceiling meandering through the space with the same writing on it.

Butoh dancer Chavez—dancing to Cobb’s poetry recited live by Kawano and Cobb, with music by Lisa DeGrace—animated the space, invoking the spirits of the dead and creating indelible images of death and suffering and remembrance as a reminder to us not to change the narrative.

This weekend offers us three wonderfully different respites from the world.

Continues…

 
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