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Jordan Clark: The painter’s spaces, inside and out

A new set of paintings by Jordan Clark reflect the painter's deep sense of space

By PAUL MAZIAR

There are eight new Jordan Clark paintings in oil and flashe on view at Stumptown on Southeast Belmont. The exhibition, titled abridge, a breeze, comprises all abstract works — seven on paper and one on unprimed canvas. All of Clark’s pictures are full of life—especially this show of new, brightly-colored work—but they don’t bear any of the typical realism that you might expect from something inspired by life.

Jordan Clark, “breeze”,
16×20”, acrylic, flashe, spray paint on paper

I talked with Jordan about his artistic practice and some of his affinities over a couple of pints at a local watering hole. The conversation lasted a couple of hours and, after being transcribed, took up nine typewritten pages. You could say our meeting was congenial, a good time. Having talked with Jordan, it seems clear that despite the supreme effort it apparently takes an artist to cultivate and keep up such prolific work, these things are a byproduct of lived experience. They occur in a continuously balanced cycle of work and play, thought and action, solitude and interaction.

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