Stephanie Martinez

Eugene Ballet preview: Cracking the glass slipper

Company premieres two new works by women choreographers along with a classic reprise

by GARY FERRINGTON

“Where are the female choreographers?” asks Michael Cooper, in the New York Times. Ballet remains overwhelmingly a man’s world when it comes to choreography Cooper suggests noting that of the 58 ballets the New York City Ballet performed during the 2015-2016 season, which included seven world premieres, none were by women. He also observes that of all the recent productions by the London’s Royal Ballet, Bolshoi Ballet, and the American Ballet Theatre, only two were by women choreographers and one of those was a collaborative effort with a man.

”The dearth of female choreographers at major ballet companies is perhaps more startling, given the prominence of women in the rest of the ballet and dance fields,” Cooper writes, “and the way pioneering female choreographers helped shape ballet during the 20th century.”

The magic of Shakespeare’s fantasy world with dancers Isaac Jones and Victoria Harvey. Photo: Eugene Ballet.

What Cooper calls the “glass slipper” is at least being chipped a bit this February when the Eugene Ballet Company presents three productions all choreographed by women. Opening the program is the world premier of a new EBC commissioned ballet, Wandering On, by Chicago-based choreographer Stephanie Martinez. A second new work, The Surrounding Third, is a short piece by EBC Company Dancer Suzanne Haag and set to Samuel Barber’s Adagio for Strings. The evening’s centerpiece is a reprise of EBC’s Artistic Director and co-founder Toni Pimble’s A Midsummer Night’s Dream exploring Shakespeare’s “comedy of love, magic, fairies, mixed up lovers, and the mischievous Puck,” set to the music of Felix Mendelssohn.

Continues…

 
Do NOT follow this link or you will be banned from the site!