rinde eckert

And suddenly it’s October. Among other things – pumpkin patches, Yom Kippur, the World Series, Halloween – that means we’re two days from First Thursday, Portland’s monthly gallery hop of new shows. This week’s visual art calendar is a doozy, from open studios to Warhol with lots between.

A few of the highlights:

James Lavadour Ruby II, 2016 oil on panel 32" x 48"

James Lavadour, “Ruby II,” 2016, oil on panel, 32″ x 48.” PDX Contemporary.

James Lavadour at PDX Contemporary. It’s always a good day when new work by Lavadour, the veteran landscape expressionist from Pendleton, comes to town. This show, called Ledger of Days, furthers his exploration of the land and its mysteries. “A painting is a structure for the extraordinary and informative events of nature that are otherwise invisible,” he writes. “A painting is a model for infinity.” Lavadour is also one of the moving forces behind Pendleton’s innovative and essential Crow’s Shadow Institute of the Arts, which celebrates its 25th anniversary next year. Watch for what’s coming up.

The new Russo Lee Gallery: 30 years. What you’ve known for years as Laura Russo Gallery is celebrating three decades with a showing of new work by its distinguished stable of artists – and with a new name. The name is a fusion of the gallery’s long tradition and current reality. After founder Laura Russo died in 2010, her longtime employee Martha Lee bought the business and continues to operate it. This show promises to be a statement of sorts, and will have a catalog available.

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Rinde Eckert, Alessandro Sciarroni reviews: Scattered remains

Avant garde theater artist and dazzling jugglers close TBA festival

“There certainly is a lot of stuff here,” Rinde Eckert mused aloud as he gazed around the cluttered stage at the outset of My Fools, his retrospective show that highlighted the closing night of this year’s Time Based Arts Festival. Framed by a desk on one end and a piano on the other, the stage at Portland’s Winningstad Theater boasted costumes, props of various species, a projection screen, MacBook, rows of little cards mounted on sticks that he carried to each “station” on the stage as he performed there, and above all a wide array of musical instruments. All attested to the New York based solo performer’s vast range of skills and artistic creations. For the next hour, we wondered: with all that stuff strewn about, what was he going to do next?

Rinde Eckert performed at Portland's TBA festival.

Rinde Eckert performed at Portland’s TBA festival.

If anyone is entitled to a Greatest Hits show, it’s Eckert, the supremely versatile singer/writer/instrumentalist/performer/director who, over three decades and more than five dozen works (averaging two per year) has been making some of the era’s most original performance art. We soon realized that the busy stage was meant to evoke the multidisciplinary artist’s fecund career, and possibly his richly furnished mind. So, yes, a lot of stuff indeed.

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