Oregon culture

Today seems a good time to introduce you to one of our newest correspondents, C.S. Eliot. When the movie Kedi: The Cats of Istanbul prowled into town (it’s landed at Cinema 21 after a couple of sold-out screenings at the Portland International Film Festival) we found ourselves looking for just the right sort of writer to respond to the film’s unusual subject matter, a writer with inside knowledge of the peculiarities of the feline world. And C.S. made a poetic plea to speak up.

Well, all right, it was a yowl. C.S., we regret to report, is an imperious sort, given to stark pronouncements and prone to making unseemly demands on the management. Thus, forthwith, C.S.’s first dispatch for us, ‘Kedi’ review: Turkish delight.

The streetwise cats of Istanbul.

To tell the truth, this partnership is a work in progress. We’re not sure C.S. understands the concept of objectivity at all. But C.S. makes no bones about his opinions (he prefers to leave the bones for the dogs), and C.S. will speak out. There’s no stopping him, really, although you can slow him down if you put out a bowl of tuna juice. Let’s stipulate that a good writer is not necessarily a saint.

In the case of Kedi, not only is C.S. an expert on the subject, he also has a talented collaborator, longtime ArtsWatch correspondent Maria Choban. She speaks Cat semi-fluently and is adept at translating the pith of C.S.’s opinions. We see their partnership as vital to our coverage of the next touring production of Cats to hit town (lyrics and original concept by C.S. Eliot’s distant relative T.S.), and to the Puss in Boots scene in Tchaikovsky’s Sleeping Beauty. And if someone in town will please put up a production of the musical Archy & Mehitabel, C.S. likely will be our representative in the reviewer’s box. We’ve tried, but we just can’t seem to come up with a literate cockroach who’ll work for what we can pay.

 


 

A GLIMPSE INSIDE THIS WEEK’S DATEBOOK:

 

Companhia Urbana de Dança at White Bird. Photo: Renato Mangolin

Companhia Urbana de Dança. White Bird brings the energetic Brazilian dance troupe to the Newmark Theatre for shows Thursday, Friday, and Saturday evenings. Born in the shanty towns and suburbs of Rio, the company blends hip-hop, urban, and contemporary dance into an Afro-Brazilian stew.

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ArtsWatch Weekly: February roars

A look at the week that was in Oregon arts. A glimpse ahead at the week that's going to be.

The Fertile Ground festival of new works is tucked safely in bed for another year, and the city’s still tuning up for the Portland Jazz Festival, coming February 18-28 (Charles Lloyd! Dianne Reeves! Sonny Fortune! Brian Blade!). That doesn’t mean you get to relax. We’re heading into an extraordinarily busy week, from theater openings to First Thursday in the galleries to a revamped Late Now to the Oregon Symphony’s visit to The Planets, with a side trip to some piano parables by Paul Schoenfeld.

Enough with the intro. Let’s dive right in, starting with theater:

Dael Orlandersmith. Photo: Mikey Mann

Dael Orlandersmith. Photo: Mikey Mann

Forever at Portland Center Stage. The newest from writer/performer Dael Orlandersmith, in the intimate Ellyn Bye Studio. Marcel Proust, Richard Wright, Jim Morrison, and the legacies of family, biological and chosen. In previews; opens Friday.

What Every Girl Should Know at Triangle. It’s 1914 in a Catholic reformatory. The new girl shows up, bringing an attitude and some contraband: pamphlets on birth control distributed by Margaret Sanger. Opens Thursday.

You for Me for You at Portland Playhouse. Gretchen Corbett directs Mia Chung’s provocative drama about two sisters attempting to flee North Korea. Opens Friday.

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