orchestra next

Orchestra Next and Eugene Ballet: Creating the total dance experience

Orchestra brings live music to dance, training to musicians, a complete experience to audiences.

By GARY FERRINGTON

When the Eugene Ballet Company performs Sergey Prokofiev’s 1944 ballet Cinderella at Eugene’s Hult Center next weekend, it will do so with live music provided by Orchestra Next, a Eugene-based ensemble founded by UO associate professor of music Brian McWhorter.

The Grand Ball with Yoshie Oshima as Cinderella, Brian Ruiz as Prince Charming. A guest (Isaac Jones) and stepsister Clarinda (Beth Maslinoff) look on. Photo: Toni Pimble.

Live music performances with the Eugene Ballet started three years ago when McWhorter learned from EBC Managing Director Riley Grannan that the 2012 production of Tchaikovsky’s The Nutcracker would use pre-recorded music as it had in past seasons. McWhorter proposed that he organize an orchestra to perform live with the ballet during its two-day run. Grannan and Artistic Director Toni Pimble agreed and the idea for the orchestra was born.

“We had to put things together very quickly — I think about three months or so,” McWhorter recalls. “There were all sorts of challenges that included getting all the principals on board, auditioning for the student positions, getting the website up and running, generating a buzz, making sure we had all the sheet music, getting insurance, arranging rehearsals, and, of course, raising all the money to pay everyone. The administrative team was just myself and (general manager) Sarah Viens … who continues to be an invaluable asset for the orchestra.”

McWhorter saw an opportunity to both benefit the ballet company by bringing its listeners live music, and to benefit local musicians by creating a long-needed training ensemble that bridges the experiential gap between student and professional musician. “The most iconic examples of training orchestras are the Civic Orchestra of Chicago and New World Symphony — but even these orchestras don’t provide the students the chance to regularly sit next to professionals,” McWhorter explains. “Orchestra Next does. And I think our collaboration with the Eugene Ballet makes us all the more unique.”

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