Norman Huynh

Pops Goes the Oregon Symphony

Orchestra's steadily expanding non-classical performances aim for more diverse audiences

by CLAIRE SYKES

The current Oregon Symphony pops season started for me with the crowd-pleasing Storm Large belting out jazz standards—and tossing off her trademark, foul-mouthed jests. I could’ve done with way less of the latter. Then there were the affectionate cougar-referenced jabs at good-sport conductor Norman Huynh. Her insistence on perpetuating her bad-girl persona, though, only detracts from her strong, powerful singing voice and warm stage presence, both of which live up to her name.

Storm Large sang Kurt Weill with the Oregon Symphony. Photo: John Rudoff.

Next up for me was The Music of Prince, the tribute band and the Oregon Symphony wowing people out of their seats and dancing at the stage. But it sent this Prince fan out the door at intermission, irritated by the muddied sound system doing impersonator Marshall Charloff no favor, and only making me wish for the real thing.

Portland’s Tango Pacifico made up for these disappointments. Joining in, the Symphony expanded on the group’s chamber music roots, while the evening’s dance duo stunned the audience with their dips and splits and the bandoneón player, Héctor del Curto, even solo sounded like five of them up there. The three came all the way from Argentina. Tango Pacifico’s vocalist Pepe Raphael lives in Portland, as does founder and leader Erin Furbee, who is also a violinist with the Oregon Symphony. What a mix of tango, from the 1920s to the nuevo tango of Astor Piazzolla.

The Symphony’s diverse programming continued in March with the latest of its big-screen films accompanied by a live, orchestral soundtrack: E.T. and John Williams’s score. Next came the Grammy-winning Indigo Girls, who joined the Symphony in loyal followers’ favorites. It was part of the Symphony’s pop/jazz-singer series, which recently has featured names like Ben Folds, Gregory Alan Isakov, Bela Fleck, and Large; and tributes to Prince, Glenn Frey and David Bowie. This weekend is Patti Austin’s Homage to Ella Fitzgerald, followed by May 5’s Disney in Concert: A Dream is a Wish. And on May 23, ukulele marvel Jake Shimabukuro transforms the Hawaiian folk instrument into a four-string wonder with the Oregon Symphony, playing Beatles and Queen covers plus his own compositions.

Patti Austin celebrates Ella Fitzgerald Saturday and Sunday with the Oregon Symphony.

These concerts and more this season add up to eight performances of four Pops Concerts programs (subscription) and 34 performances of 28 Oregon Symphony Presents (Special Concerts) programs (non-subscription), the latter including three classical. (The orchestra divides its concerts into four categories: Classical, Pops, Special, and Kids.  This story broadly covers all but classical. Here’s a complete listing of the Oregon Symphony’s concerts this season.) The lineup this season carries on North America’s 132-year-old pops-symphony tradition, while pushing its evolution into a larger, more varied element of the orchestra’s programming.

“If you look at other orchestras in our budget range, we probably do more than most,” says Scott Showalter, President and CEO of the Oregon Symphony. “We’re trying to provide more kinds of concerts to appeal to the wide and diverse audience we have here in Portland.”

Continues…

Music News & Notes

Recent happenings in Oregon music

Been awhile since we rounded up recent news in Oregon classical music, so here’s some items that lit up our screens in recent months.

Laurels and Plaudits

• Composition Champ. University of Oregon composition professor Robert Kyr was one of four American composers to win this year’s American Academy of Arts and Letters $10,000 Arts and Letters Award for outstanding artistic achievement by a composer who has arrived at his or her own voice.

Mia Hall Miller

Mia Hall Miller

Wonder Woman. Pacific Youth Choir founder and director Mia Hall Miller received the Oregon Symphony’s 2016 Schnitzer Wonder Award, a $10,000 prize that “honors an individual or organization that directly works to build community through the next generation of artists and/or student musicians.” Now in its 13th year, PYC boasts almost 300 singers in 10 choirs.

Violin Virtuosa. Portland violinist Fumika Mizuno is the only Oregonian selected among the 109 young musicians (age 16-19) from across the country for the fourth annual National Youth Orchestra of the United States of America. It’s her second stint with the NYO, which (after a training residency in New York) performed with the great pianist Emanuel Ax at Carnegie Hall in July, then played concerts led by Valery Gergiev at Amsterdam’s Concertgebouw, in Montpellier France, Copenhagen, and Prague.

• Operatic ascent. Portland tenor A.J. Glueckert was one of six winners of the $10,000 George London awards, one of America’s oldest vocal competitions.

Eugene jazz musician Tony Glausi. Photo: Tyler Sams. 

Eugene jazz musician Tony Glausi. Photo: Tyler Sams.

Trumpeter on the rise. Eugene jazz trumpeter and composer Tony Glausi has been named the recipient of the 2016-17 Laurie Frink Career Grant, a biennial $10,000 award to give a “young brass player an opportunity for serious study or to undertake a creative project.” One of America’s most revered brass instrument teachers, Frink, who died in 2013, played in some of the finest jazz orchestras (including those of Maria Schneider, Benny Goodman Orchestra, Mel Lewis, Gerry Mulligan, John Hollenbeck, Darcy James Argue and more), performed with Broadway orchestras, co-wrote the definitive book on trumpet improvisation, and mentored some of today’s top trumpeters including Dave Douglas and Ambrose Akinmusire. Read Gary Ferrington’s ArtsWatch profile of Glausi.

The Marylhurst Chamber Choir performs at the 2016 Cork International Choral Festival.

Choral Voyagers. Marylhurst University’s premiere choral ensemble, the Marylhurst Chamber Choir, was one of only 34 choirs from around the world, and the only American choir invited to perform at the Cork International Choir Festival in Cork, Ireland in May. It placed third to choirs from Sweden and Turkey in a close contest for the placed third in the festival’s top honor, the Fleischmann Award and won the Peace Award for the choir that best embodied the spirit of the festival.

Continues…

 
Do NOT follow this link or you will be banned from the site!