Madison Page

ArtsWatch year in dance 2017

From ballet to world to contemporary, where the dance scene led, ArtsWatch followed. In 20 stories, a brisk stroll through the seasons.

Dance in Portland and Oregon has long been on the edge – often financially and sometimes artistically. Yet despite economic challenges you can’t keep it down: the city moves to a dance beat, and every week brings fresh performances. ArtsWatch writers got to a significant share of those shows in 2017, and wrote about them with breadth, wit, and insight.

The twenty ArtsWatch stories here don’t make up a “best of” list, though several of these shows could easily make one. They constitute, rather, a January-to-December snapshot of a rich and busy scene that runs from classical ballet to contemporary and experimental work.

 


 

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A dance down memory lane in 20 tales from ArtsWatch writers:

 

“Hopper’s Dinner”: an exuberant feast. Photo: Blaine Truitt Covert

A mellow Meadow like old times

Jan. 20: “Going to opening night of BodyVox’s Urban Meadow at Lincoln Performance Hall on Thursday evening was a little like dropping over for dinner with a bunch of old friends you haven’t seen in a while, and remembering why you liked them in the first place,” Bob Hicks wrote. “The table was set nicely, the food and wine were good, and everybody swapped old jokes and stories with easy familiarity. There was even a guest of honor, who was fondly feted, and who told a few good tales himself.” The “guest” was the wonderful dancer Erik Skinner, who was retiring from BodyVox (though not from performing) after this run, and the program included a bunch of old favorites that were themselves welcome guests.

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New Expressive Works: Boundary pushing

Subashini Ganesan's resident choreographer program featured work by Tere Mathern, Madison Page, Crystal Jiko Sasaki, and Wolfbird Dance

New Expressive Works’ second set of resident artists for 2017 showcased their boundary-pushing new pieces this weekend. Founded in 2012 with the mission to support dancers of diverse backgrounds in developing original work, N.E.W. also provides accessible practice space and a variety of movement classes in a centrally-located, well-equipped studio.

Annually, the space serves 4500 audience members and students, and more than 200 independent performing artists have used the facilities for some aspect of their practice.The program has incubated many new projects and collaborations for its 37 resident artists choreographers working with at total of 100 collaborators.

Highlights have included:

  • Oluyinka Akinjiola forming her performance troupe, “Rejoice Diaspora Dance Theater” during her residency
  • The residency has attracted transplants such as Luke Gutgsell, James Healey, Dar Vejon Jones, Stephanie Lanckton and current residents Crystal Jiko and Madison Page who have gone on to be involved in local programs such as TBA, BodyVox, Headwater Theatre, and Skinner/Kirk.
  • Veterans Linda K. Johnson, Dawn Stoppiello, Catherine Egan, Stephanie Schaaf, and current resident Tere Mathern have produced new work and held critical feedback sessions.

Tere Mathern and Alison Heryer performed in N.E.W.’s 9th residency concert/Courtesy of New Expressive Works

Every six months, four choreographers (or in this case, three individuals and a team of two) are chosen for the residency program. They receive 144 hours of free rehearsal space, a modest stipend, and moderated, critical feedback in the form of Katherine Longstreth’s Fieldwork program. The works, whether they are finished or in progress, debut as 20-minute pieces at the end of the residency, as they did this weekend for the 9th session.

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