liam neeson

With “Silence,” cinema’s high priest, Martin Scorsese, returns to the pulpit

The greatest living filmmaker's passion project stars Andrew Garfield and Adam Driver as Jesuit priests in 17th century Japan

Cinema is a religion. It’s obvious, and I’m certainly not the first one to say so.

Its adherents gather at scheduled times in designated spaces, which can range from the boxy and merely functional to the grandiose and inspiring. There they sit in ordered rows, gazing in a common direction, contemplating things which don’t physically exist but which possess an enhanced reality all their own.

Why do they do it? They’re hoping for a transcendent experience, at best. Or maybe just a deeper appreciation of the human condition. Or an illustration of moral principles. Or to be distracted from their mundane and inevitably truncated lives. Or just to be alone together among like-minded folks.

And that’s just the parishioners. For those who craft the rituals, who write the script(ure)s, who spin the mysteries, it’s a calling–often a lifelong one. Of the many filmmakers who fit this description–the Tarantinos, the Truffauts, the Kurosawas–none exemplifies the notion of director-priest as much as Martin Scorsese.

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