lance miller

Snow Queen 6: Scenes into sounds

Recording the new show’s soundtrack album

Story and photos by BOB KEEFER

Editor’s note: Eugene arts journalist Bob Keefer is tracking Eugene Ballet’s creation of a new version of The Snow Queen.  ArtsWatch will repost the series here after each installment appears on Keefer’s Eugene Art Talk blog.

Something that most people don’t realize about orchestral music is this: It’s very hard for composers ever to hear what their compositions actually sound like.

I’m the first to admit I didn’t fully understand this until recently. Having been fascinated by the idea of computer music ever since I bought an Amiga 1000 computer back in the Bronze Age, I’ve always assumed that all you have to do is lay down MIDI tracks for all your instruments, hit a button, and then the computer plays your new symphony for you.

The occasional dissenting voice I’d hear from people who knew anything about music, I managed to dismiss as elite audiophile grumbling. Boy, was I ever wrong.

Recording engineer Lance Miller runs the sound board at the Snow Queen recording session.

This all came to light this month, when Eugene’s OrchestraNext sat down in a spacious studio at the University of Oregon School of Music and Dance to play – for the first time it’s ever been performed – and record Portland composer Kenji Bunch’s brand-new score for Eugene Ballet’s brand-new production of The Snow Queen.

Continues…

 
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