jeff scott

Chamber Music Northwest review: winds of change

Imani Winds leads a series of wind-assisted concerts featuring new music

Strings tend to dominate chamber music concerts, so it was nice to hear so many wind instruments at this year’s Chamber Music Northwest summer festival. It helps that artistic director David Shifrin is himself a master clarinetist, frequently appearing on concerts both with other wind players and with the customary strings.

Tara Helen O’Connor performed at Chamber Music Northwest 2017. Photo: Tom Emerson.

My first taste of this year’s windiness came with CMNW’s July 21 New@Noon concert in Portland State’s Lincoln Recital Hall. Tara Helen O’Connor started us out with Allison Loggins-Hull’s Pray for flute solo and electronics, the flute part mostly straightforward modal melodies evolving into fancy, violinish arpeggios and creepy, cinematic dissonances, the backing track full of jazz organs, Björk-y electronic beats, watery reverb, and poppy chord changes like something from an ’80s Laurie Anderson tune. I wasn’t surprised to learn that Loggins-Hull’s “Urban Art Pop Duo” Flutronix has performed at the Brooklyn Museum and covered The Eurythmics’ “Sweet Dreams.”

Hsin-Yun Huang performed at Chamber Music Northwest 2017. Photo: Tom Emerson.

We did get a bit of strings that day, with Hsin-Yun Huang’s solo viola performance of Joan Tower’s Wild Purple, a merry crescendo of energetic virtuosity packed with Tower’s usual post-serial melodicism, dissonant glissandi against open strings giving way to Bartóky suggestions of folky pentatonicism and jolly bouncing tritones.

Then, Imani Winds breezed onto the stage. Bassoonist Monica Ellis introduced the group: “me and my winds are so happy to be back in Portland. We think it’s our fourth time…we’ll have to fact check that. It’s also a pleasure to be ensemble in residence.”

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