Jasmine Love

MusicWatch Weekly: pianos aplenty

There’s also organ music, choral music, string ensembles and a couple orchestras’ worth of fine young classical players and more on Oregon stages this week

Portland’s most welcome frequent contemporary classical guests, DUO Stephanie & Saar, return for a pair of entirely different shows, bringing plenty of piano-playing colleagues with them; Portland Piano International’s latest Rising Star flashes across the keyboard; and two of jazz’s most forward looking pianists, Jason Moran and Ethan Iverson, bring their trios to town, the former celebrating still another great pianist/composer, Thelonious Monk.

Stephanie & Saar perform twice in Portland.

DUO Stephanie and Saar
The renowned New York based piano duo visit Portland, Stephanie Ho’s hometown, frequently. This time, they perform J.S. Bach’s final work, the massive keyboard monument to counterpoint, The Art of Fugue, which they recently recorded. The next night, they join some of Portland’s finest pianists (from Third Angle, FearNoMusic, and local universities) to reprise some of the “greatest hits” from the three annual installments of their Makrokosmos concerts, including music by the greatest living American composers (Steve Reich, George Crumb, John Adams) and more.
Wednesday, Agnes Flanagan Chapel, Lewis & Clark College, and Thursday, Portland Piano Company, 8700 NE Columbia Blvd. Portland.

Allison Au Quartet
One of Canada’s most acclaimed jazz stars, saxophonist/composer Allison Au’s melodic original jazz just garnered the Canadian equivalent of the Grammy award for best jazz album for her second release, Forest Grove. Unfortunately, they’re not actually playing it in Forest Grove, but you can hear them in Portland and Eugene.
Wednesday, Jo Bar and Rotisserie, Portland and Thursday, Jazz Station, Eugene.

Jerry Douglas Band 
Even if you’ve never heard of Jerry Douglas, you’ve almost certainly heard his dobro, a guitar augmented by a metal plate and amplifying cone that makes a distinctive twangy sound. A Nashville studio regular who’s played on over 1500 recordings, he’s transcended the  boundaries between bluegrass, country, rock, jazz, pop – even contemporary classical. Along the way, Douglas has garnered dozens of awards, including a baker’s dozen Grammies and a Musician of the Year award from the Country Music Association; added zing to albums by Ray Charles, Emmylou Harris, Paul Simon, Earl Scruggs, Bill Frisell, Phish, and dozens of other stars; played in bands with Ricky Skaggs and in Alison Krauss’s Union Station. He’s an American music legend and always worth catching with his own band.
Thursday, Alberta Rose Theatre, Portland.

Makrokosmos Project
With duo pianists Stephanie & Saar in town to play Bach (see above) and no doubt visit family, why not celebrate the third anniversary of its valuable Makrokosmos project (which ArtsWatch has covered extensively — type the word into the search field above) by reprising some of the three epic extravaganzas’ greatest hits by some of America’s greatest 20th century composers: Steve Reichʼs Six Pianos, John Adamsʼs Hallelujah Junction, George Crumbʼs Makrokosmos I and II and more, including works by Oregonians like Alexander Schwarzkopfʼs Recycled Wheels. Performers in this free concert include Susan Smith, Deborah Cleaver, Julia Lee, Monica Ohuchi, Jeff Payne, Schwarzkopf and DUO Stephanie & Saar.
Thursday, Portland Piano Company, 8700 NE Columbia Blvd, Portland.

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Becoming Welcome: giving center stage to all artists

A contentious review sparks a critical conversation about Portland arts

by MARY McDONALD-LEWIS

Editor’s note: ArtsWatch invited Mary McDonald-Lewis to write this essay based on a meeting at Artists Repertory Theatre of members of Resonance Ensemble and others with our editors. She speaks for herself and the group in her response to ArtsWatch’s original review of the Resonance concert, ArtsWatch’s subsequent response to complaints about it, and the ongoing implications of both.

The Circle Gathers

Studio 2 at Artists Repertory Theatre was tense. It was a hot day on the last Friday in July, and the air was close, but that wasn’t why.

Mary McDonald-Lewis

In an uneven circle, 11 people, many strangers to one another, arrive in ones and twos to review a tough month in Portland’s arts world. Entering the room are a mixed group from varied backgrounds and professions, but they all have one thing on their mind: a review that caught fire on the virtual pages of Oregon ArtsWatch, and that continued to spark controversy and division in the arts community.

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