Future Flux

ArtsWatch Weekly: Media Blitzen

A pair of premieres at Center Stage, dance and theater openings, Brett Campbell's weekly music picks, Christopher Rauschenberg & more

It’s a busy weekend at the Armory, where Portland Center Stage hangs its hat: world-premiere opening nights Friday for Wild and Reckless, the new concert/play from the band Blitzen Trapper, and Saturday for Lauren Weedman Doesn’t Live Here Anymore. Both will be playing on the Main Stage, in repertory.

We haven’t (of course) seen either show yet, so we’ll quote the company on what’s up with Wild and Reckless: It “traces the unforgettable tale of two kids on the run, in a futuristic vision of Portland’s past. Evoking a bygone era of Portland, this sci-fi love story features a rock-and-roll score that pairs unreleased songs with favorites from the band’s catalog, including Black River Killer and Astronaut.” And what, precisely, is a futuristic vision of Portland’s past? Francis Pettygrove and Asa Lovejoy tossing a coin in spacesuits to name the city? Probably not. But tune in Friday, or anytime through April 30, to find out.

Eric Earley as The Narrator and Leif Norby as The Dealer in “Wild and Reckless.” Photo: Patrick Weishampel/blankeye.tv.

Lauren Weedman we know a little better from her smart and edgy previous one-woman shows at Center Stage and elsewhere. She could run a clinic on how to grab and hold an audience’s attention: She can be funny, and she can be fierce, and she has the focus of a hawk hunting rabbits in an open field. This newest show, also through April 30, homes in on heartbreak and how to mend it, and arrives with big hair, tight jeans, and a passel of country tunes. Plus, a backup band.

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ArtsWatch Weekly: enemies of the people

Plus: ceramics shows all over town, Brontës and Carnage onstage, Shakespeare on Avenue Q, madrigals and music from the Holocaust

I’ve been thinking about my new status as an enemy of the people, which, because I am a longtime member of the press, the leader of the nation has declared I am. I’m not sure what this means (Adrienne LaFrance in The Atlantic has a few ideas), but I suspect that while we’re all getting hot and bothered about the president’s use of the term “enemy” – a word that, in this construction, implies the harsher “traitor” – we might also be thinking long and hard about what he means when he says “people.”

As I have never considered myself an enemy of the many categories of people who make up this nation (although I have certainly resisted the ideas and actions of some, particularly those of an autocratic, opportunistic, violent, or rigidly ideological bent) I inevitably wonder which people these are to whom I am an enemy. And the conclusion I draw, at least tentatively, is that they must be the people who adamantly declare “my country (or my president) right or wrong,” those whose modes of thought and belief are primarily binary, who see a white and a black in every situation with no recognition of the vast shadings and illuminations between. And although I don’t deny I am not fond of their hard-line ideas, it is less true that I am their enemy than that they consider me theirs.

In Ibsen’s play the newspaper editor is a collaborator and the “enemy” is a whistleblower.

This is a far, far smaller definition of the American people than my own old-fashioned idea of a populace enriched by its multitude of backgrounds, talents, experiences, expressions, and beliefs. The president’s declaration, it seems to me, is a siren song to know-nothing insularity, a constricted, self-defeating, fear-driven, and exclusivist view of the American ideal of what a “people” is (or are). Under its sway a belief in a middle ground of understanding over ideology, even when the understanding must come by asking hard questions and seeking answers from alternative sources when the primary ones hide or lie about what they know, becomes a ground of treason. It is thinking that divides the country into “real” Americans – the true believers – and, well, enemies. Including those members of the press who point such things out.

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