evalyn parry

‘Spin’ review: women on wheels

Boom Arts hosts Evalyn Parry's musical theater piece chronicling connections between the women's movement and bicycling

Want to control women? Limit their freedom to get around. There are many places in the world  — even in our country — where women are virtual prisoners in their own homes, forbidden freedom by law, religion, custom, or just plain male domination.

When America’s late 19th century suffragists challenged this stultifying situation and started a social revolution, they were aided by a concurrent technological revolution. “I believe the bicycle has done more to emancipate women than anything else in history,” said someone who should know.

Evalyn Parry performed “Spin” in Portland. Photo: Frederike Heuer.

That connection between two revolutions is the subject of Spin, Toronto singer/songwriter/spoken word artist Evalyn Parry’s entertaining theatrical song cycle that Boom Arts wheeled into northeast Portland’s The Sanctuary earlier this month. It was a fun if wobbly ride that didn’t quite find the right balance between between two important stories: a quick history of the historical connection between women’s equality and bicycling, and a fascinating, too-little known story of one of the early female pioneers of both.

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