Dave Bodin

Through the ‘Twelfth Night,’ clearly

The excitement of Portland Shakespeare Project's 'Twelfth Night' is in its transparency

The Portland Shakespeare Project launched its fourth season with Twelfth Night on Saturday at Artists Repertory Theatre. That’s a simple enough sentence, especially in Shakespeare-besotted Portland. Portland’s acquaintance with Shakespeare is deep enough that I don’t have to append a descriptor to the title—”the rom-com Twelfth Night,” say, if I wanted to be just the tiniest bit cheeky. And maybe a bit wrong.

Not totally wrong: Twelfth Night IS a romantic comedy, no doubt. And it’s other things, too, a lot of other things. But it takes a very clear understanding of the existential predicaments of its characters by the actors to coax an appearance from those wonderful “other things.” Because otherwise the flow of words they generate just rushes on by.

Orion Bradshaw, Allen Nause and Jim Butterfield provide the hijinks in the Shakespeare Project's 'Twelfth Night'/David Kinder

Orion Bradshaw, Allen Nause and Jim Butterfield provide the hijinks in the Shakespeare Project’s ‘Twelfth Night’/David Kinder

So, the REAL lead of this account: Portland Shakespeare Project opened a Twelfth Night on Saturday that is about as transparent and understandable as we can expect of a play from the very early 17th century, when English was written and understood in a very different way. Even a familiar one such as Twelfth Night. And this clarity frees our (we in the audience) imagination to consider and delight in the possibilities of the play, consider alternate readings safely, lose ourselves in a moment, confident that we’ll regain our footing, no matter how spongy the ground beneath us—the language—becomes.


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