Christa McIntyre

ArtsWatch year in theater 2017

From "Astoria" to "The Humans" with a whole lot in between, a month-by-month stroll with ArtsWatch through the year in Oregon theater

From Portland Center Stage’s Astoria: Part I (Part II is streaming around the bend in January, along with an encore run for Part I) to Artists Rep’s The Humans and a slew of holiday shows, it’s been a busy, busy year in Oregon theater.

In Ashland, the Oregon Shakespeare Festival rolled out another season blending contemporary and classic with a wide-angle world view. And the fine actor G. Valmont Thomas, after spending a season playing Falstaff in all three plays in which the great character appears, died in December from bone cancer, at age 58.

In Hillsboro, Bag&Baggage, which had been temporarily homeless, opened a spiffy new home in a renovated downtown former bank building.

In Portland, the sprawling Fertile Ground festival introduced dozens of new works (and, like Astoria, is gearing up for a fresh new run in January). Chris Coleman, Center Stage’s artistic director for 17 years, announced he would be leaving at the end of this season to take over the theater at the Denver Center for the Performing Arts. TCG, the influential Theatre Communications Group, held its annual conference in Portland. And theater companies large and small produced more plays than The Count could count in a dozen seasons of Sesame Street.

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A dozen great reads from 2017

From a Lewis Carroll lark to a rambling Road Dog to a play about a baby to art out of ocean garbage, twelve ArtsWatch stories not to miss

A dance critic walks into an art show. A man and his dog travel the byroads of America. A pop song sinks into a writer’s soul. A jazz pianist walks into the wilderness. A play about a baby strikes a theater reviewer close to home. On the southern Oregon coast, artists make huge sculptures from the detritus that chokes the sea.

We run a lot of stories on a lot of subjects at Oregon ArtsWatch – more than 500 in 2017 alone – and a few stand out simply as stories that want to be told. Put together a good writer and a good subject and chances are you’ll get a memorable tale. Here are a dozen such stories from 2017.

 


 

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A look back at a dozen stories from 2017 you won’t want to miss:

 

Matthew Kerrigan reinterprets Lewis Carroll’s White Rabbit, with a fleeting attention span ruled by a smartphone.

We’re all mad here … so let’s party

Jan. 31: “What do you do with your existential frustration? If you boil it down into its purest form, you get either despair or rage—which then has to be dealt with. But if you chill it out and mix in some humor, you end up with absurdity. And that can be played with! O Frabjous Day!” A.L. Adams got down in the existential trenches with Shaking the Tree’s We’re All Mad Here, a piece performed and largely conceived by Matthew Kerrigan in homage to the great absurdist Lewis Carroll. “Any drug-addled dodo could dream up a different world, but that wasn’t the crux of Carroll’s vision. Like his forebears Aesop and Chaucer and Jonathan ‘Gulliver’ Swift, Carroll was a satirist as well as a fabulist.”

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