Ballet De Lorraine

DanceWatch Weekly: We’ve got dance news

A busy week in performance plus a new dance space, a new dance film festival, and a new platform for choreographers

Before we dive into this week’s dance performances, we have some Portland dance news to report. Specifically, the city has added a dance-centric film festival to its movie festival mix, a new performance space has popped up in Milwaukie, and Dance Out Loud is looking for choreographers who havenew work to showcase.

SubRosa dancers/choreographers, Kailee McMurran, Tia Palomino, and Jess Evans, have created Portland Dance Film Fest, and they are inviting filmmakers from around the world to submit minis, shorts, and long dance films, to be screened here in Portland August 24-September 6. Details and the screening location will follow.

SubRosa is a Portland modern dance collective established in 2011: The collective’s Living The Room has screened in dance film festivals around the world, for example. For anyone who has a film to screen in the festival, the submission deadline for is April 2.

The new performance space comes courtesy of Corinn DeWaard (the artistic director of Tripthedark dance company and a Dance Wire board member) along with her two business partners. They have have bought a Milwaukie church built in 1940 and plan on turning it into multi-use space called Chapel Theatre.

The two-story building—a total of 4,554 sq feet at 4107 SE Harrison St in Milwaukie—will serve the arts communities of both Milwaukie and Portland. Right now DeWaard and her partners are in the planning and demo stages, and DanceWatch will keep you posted on the theater’s progress and events as it moves forward. If you would like to see the space, click here for a video tour.

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DanceWatch Weekly: Inside and outside the bubble

The Oregon dance scene extends beyond Portland, we are happy to report, and a ton's happening in town, too

When I lived on the East Coast, New Jersey specifically, it took about an hour-and-a-half of driving to get anywhere—to New York, Philadelphia, even to southern New Jersey. That was the norm, it was accepted, and we did it obediently, with occasional grumbling here and there. But I’m glad I did it because New Jersey did not offer the artistic communities, resources and variety that I craved. Don’t get me wrong, Jersey isn’t ALL bad, it does have the best pizza and bagels in the land, and it’s home to a magical place called Grounds For Sculpture, a 45-acre outdoor sculpture park, inhabited by a pride of peacocks.

Because of this experience, I was relieved when I arrived in Portland five years ago to discover that everything I wanted and needed was just 10-15 minutes away from home. But now, in the process of scouring the internet for dance performances, I am learning a lot about dance communities outside of Portland, and my original concept of Portland’s community has broadened to include them. I see these communities as opportunities for exchange and partnership, and a way to break out of the Portland bubble and connect to other dance communities. It’s time to get back in my car.

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