Ashland theater

Skiing the mountain of Hamlet

The Oregon Shakespeare Festival’s Danforth Comins talks about the Elizabethan Theatre, playing his third Danish prince, and this production’s aural soundscape

By SUZI STEFFEN

ASHLAND – If you’ve been to the Oregon Shakespeare Festival at all in the past decade, you’ve likely seen Danforth Comins in a starring or other major role. From Orlando in As You Like It to Bertram in All’s Well That Ends Well, from Mark Antony in Julius Caesar to Coriolanus in, well, Coriolanus, Comins has played many a Shakespearean role – and he utterly dominated the role of Brick in Tennessee Williams’ Cat on a Hot Tin Roof as well, coincidentally in the same year that the last Hamlet ran at the festival.

This year, Comins, playing Sir Andrew Aguecheek, lays some hilarious hurt on boy-costumed Viola in Twelfth Night, where his dueling prowess is about as magnificent as hers. But he’s also playing the tortured Danish prince in an outdoor Hamlet, opening in the Elizabethan Theatre tonight: Friday, June 17. At some point among all of his fight rehearsals, scene-running and prep work for the Hamlet opening, Comins took the time for an interview with ArtsWatch. The edited Q&A is below.

Hamlet (Danforth Comins) confronts Gertrude (Robin Goodrin Nordli) about her marriage to his uncle, Claudius. Photo: Dale Robinette, Oregon Shakespeare Festival

Hamlet (Danforth Comins) confronts Gertrude (Robin Goodrin Nordli) about her marriage to his uncle, Claudius. Photo: Dale Robinette, Oregon Shakespeare Festival

Suzi Steffen: You’ve played many a Shakespeare role, including Benedick and Coriolanus and Bertram and Orlando and Mark Anthony. And this is your third time playing Hamlet, though your first time at the OSF. What’s different or special about playing Hamlet?

Danforth Comins: Hamlet stands apart from many of the other plays in the canon because of its cultural significance and impact over the centuries, Coriolanus, great as it is, isn’t done very often, and the protagonist is not a knight in shining armor by any stretch of the imagination. Hamlet has succeeded through the centuries, maybe because it grapples with death and the afterlife. Those are topics that still elude us as society and a culture to this day; we’re fascinated.

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