Andrea Vernae

ArtsWatch’s hit parade 2017

Readers' choice: From a musical fracas to rising stars to a book paradise, a look back on our most read and shared stories of the year

Here at ArtsWatch, it’s flashback time. It’s been a wild year, and the 15 stories that rose to the top level of our most-read list in 2017 aren’t the half of it, by a long shot: In this calendar year alone we’ve published more than 500 stories.

Those stories exist because of support from you and people like you. Oregon ArtsWatch is a nonprofit cultural journalism organization, and your gifts help pay for the stories we produce. It’s easy to become a member and make a donation.

Here, back for another look, is an all-star squad of stories that clicked big with our readers in the past 12 months:

 


 

Matthew Halls conducted Brahms’s ‘A German Requiem’ at the 2016 Oregon Bach Festival. Photo: Josh Green.

The Shrinking Oregon Bach Festival

In June Tom Manoff, for many years the classical music critic for National Public Radio’s All Things Considered, looked at the severe drop in attendance and cutbacks in programming at the premiere Eugene music festival. He summarized: “Thinking ahead, I ask: If this year’s schedule portends the future, can OBF retain its world-class level? My answer is no.” His essay, which got more hits than any other ArtsWatch story in 2017, got under a lot of people’s skin. But it was prescient, leading to …

Bach Fest: The $90,000 solution. This followup that had the year’s second-highest number of clicks: Bob Hicks’s look at the mess behind the surprise firing of Matthew Halls as the festival’s artistic leader and the University of Oregon’s secretive response to all questions about it.

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Tear down (or build) that wall

Robert Schenkkan's political provocation "Building the Wall" at Triangle pokes into the Trump Effect and a possible American future

Building the Wall, Robert Schenkkan’s quick-out-of-the-gate stage response to the American political and cultural shift of the past year, is a well-timed last-minute addition to the current season at Triangle Productions. A protest play that questions whose America this will be in the wake of the Trumpian political revolution, it runs for a brief engagement through April 29 at The Sanctuary.

On the surface Building the Wall, which is directed at Triangle by company leader Donald Hornis a conversation between two people who seem like polar opposites. One man sits in an orange prison jumpsuit. Opposite him is a history professor, who is also a black woman. The prisoner dropped out of school, got a GED and entered the military. The professor is a liberal. The prisoner is a modern-day Republican.

Gavin Hoffman and Andrea Vernae: over the wall. David Kinder/Kinderpics

But the conversation isn’t just between this unlikely pair. It’s the conversations we’ve been having at the dinner table with family, on the bus with strangers, in our social media feeds, in an explosive era of journalism, overflowing town halls, and packed activist meetings. The conversation between Rick and Gloria is also with us.

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