1776

PAMTAs: a night for song & dance

On the hottest night of the year, Portland's musical-theater crowd puts on a sizzling show of its own. Topping the list: a beauty and a beast

On the hottest night of the year (so far) on Sunday, the Portland Area Musical Theatre Awards set off a little steam heat of their own in the Winningstad Theatre, where the dapper and funny Darius Pierce hosted the 10th annual awards ceremony.

Beauty and the Beast took home the hardware for best production, 1776 for best ensemble, and The Tail of Sleeping Beauty for outstanding original musical. The second big theater awards ceremony, the 39th annual Drammys, follows on Monday night in Smith Memorial Center at Portland State University.

Emcee Darius Pierce running the show. Photo: David Kinder

Here’s a full list of this season’s PAMTA nominees. The list of winners, supplied by PAMTA producer Corey Brunish:

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ArtsWatch Weekly: all aboard for Eugene

A Eugene cultural tour, Anne Boleyn's music book, a little shop of horror and a full gallop, monkey business, Yetis, two top art shows, "Hughie," roots music, Alien Boy, guns galore, spirit of '76

There are lots of good reasons to go to Eugene that have nothing to do with Ducks or football. Sure, the presence of the University of Oregon has a lot to do with the quality of things down the valley: two of ArtsWatch’s favorite things, for instance, the Oregon Bach Festival and the Jordan Schnitzer Museum of Art, are intimately tied to the university, and a lot of what’s good about Oregon’s new-music scene emanates from the halls and studios of the university’s music department. But the university is far from the only game in town. However you keep your cultural scorecard, Eugene – population roughly 160,000, metro area another 200,000 added to that – consistently hits above its weight.

Here at ArtsWatch we like to keep tabs on what’s happening in the Emerald City, and lately that’s been quite a bit. For starters, check out Gary Ferrington’s Arts Sampler: Eugene by train for a car-free, arts-stuffed weekend, a sort of cultural travelogue for Portlanders looking for a close-to-home adventure. Go ahead, plan an autumn getaway. And if you like, feel free to slip in a football game or a track meet on the side, too.

Portland-bound Amtrak Cascades at Eugene Station.

Portland-bound Amtrak Cascades at Eugene Station.

We’ve also picked up some good features from some top Eugene writers:

— Photographer and arts journalist Bob Keefer, author of the invaluable Eugene Art Talk online journal, has undertaken an almost year-long project of following the development of a new version of The Snow Queen for Eugene Ballet, with a fresh score by Oregon composer Kenji Bunch and choreography by EB’s longtime artistic director, Toni Pimble, who is recognized nationally as a creator of vivid and original ballets. Keefer will write about ten installments leading up to the premiere next spring, and ArtsWatch will reprint them once they’ve debuted on Eugene Art Talk. Here’s Episode 2, focusing on designer Nadya Geras-Carson.

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Today in politics: Singing a revolution

As America scrambles toward the presidential election goal line, Lakewood Theatre harks back to the origins with the high-spirited musical "1776"

They were, in a manner of speaking, the original Tea Partiers. A bunch of stridently anti-tax, small-government extremists, they were hell-bent on disrupting the political status quo, wresting control from the capital and expanding local authority. The prevailing powers likely saw them as kooks, cranks and malcontents.

Yet, under that sainted sobriquet “the Founding Fathers,” they are remembered and revered as some of history’s greatest men — passionate, courageous, resourceful, visionary — and among the most influential political thinkers, writers and activist the world has known.

And if we’re to believe the way they’re being portrayed currently at Lakewood Theatre Company, they could sing a little, too.

Foundational harmonizers, from left: Jeremy Sloan (Robert Livingston), Adam Eliott Davis (Thomas Jefferson), Dennis Corwin (Roger Sherman). Triumph Photography

Foundational harmonizers, from left: Jeremy Sloan (Robert Livingston), Adam Eliott Davis (Thomas Jefferson), Dennis Corwin (Roger Sherman). Triumph Photography

1776, the high-spirited musical by composer/lyricist Sherman Edwards and librettist Peter Stone, dramatizes their finest hour. Well, actually, their finest two months, that crucial period from early May to early July in which the Second Continental Congress, against internal odds and long division (or maybe the reverse), approved a resolution to declare the 13 colonies independent of Great Britain, and so launched a new nation upon the tide of history.

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