Bill Bulick, the architect of the Regional Arts and Culture Council, the primary way government supports the art in the tri-county area, died yesterday in Portland. He had lived with Parkinson’s Disease for many years. He was 65.
When I first met Bulick in the late 1970s, he was affiliated with Artichoke Music, the great folk music center, attempting to get coverage for Artichoke shows. He was so earnest and so affable that his pitches were impossible to resist: He made me feel that I was doing a great service to the culture at large by helping to spread the word, and to this day, I think he was right.
By then, he had attended Reed College, the University of Chicago and Portland State, worked as a studio potter, and spent a couple of years in Ireland studying Celtic music. In 1983 he helped organize Wildgeese, the leading proponent of Celtic music in the Northwest, and he became the first program director at Pioneer Courthouse Square.
Bill Bulick, here making a presentation in Bradenton, Florida, spread the arts plan behind RACC across the country.
The culture at large: Bill switched gears and careers, moving from the folk music niche into arts administration. His sense of fairness, his calm demeanor and his determination were a perfect fit in this role, and he quickly became a crucial figure at the old Metropolitan Arts Commission, Portland’s city arts bureau, which he joined in 1987. By 1989, he had become executive director, succeeding Selina Ottum, who had professionalized the arts commission before moving to the National Endowment for the Arts as Deputy Chair.
Building on Ottum’s legacy, Bulick supervised the nation’s first comprehensive regional cultural planning process, Arts Plan 2000. That document led to the creation of the Regional Arts & Culture Council, an autonomous nonprofit serving Multnomah, Clackamas and Washington counties. During Bulick’s tenure the agency quadrupled in size to a budget of more than $4 million and more than 20 full-time staff, and it launched nationally praised and imitated neighborhood arts, youth-at-risk, public art, cultural tourism and arts in education initiatives. Our public arts funding environment still has the foundation that was created during Bulick’s decade as executive director.
“In the early ’90s we were a very small joint bureau of the City and Multnomah County, giving grants and managing the public art programs for both entities,” remembers Eloise Damrosch, who succeeded Bulick as executive director of RACC. “Believing that we could do and be more, Bill led the charge to undertake an ambitious cultural planning process. He engaged a prominent East Coast consulting firm, signed up hundreds of volunteers from four counties, assigned massive amounts of work to staff, and off we went. Out of several years of intense planning, goal-setting, bench-marking, and meetings emerged Arts Plan 2000. Many people helped create it but it was Bill’s dream, and he really laid the essential groundwork for what was ultimately to become the Regional Arts & Culture Council, a tri-county non-profit arts council praised by many to be one of the best in the country.”
Bulick left RACC in 1999 to become principal of Creative Planning, Inc., consulting with cities and states across the country to develop arts plans of their own. He worked on arts plans for Austin, Minneapolis, Canada Council for the Arts, Canadian Prime Minister’s External Committee on Cities and Communities, Americans for the Arts, David and Lucile Packard Foundation, National Endowment for the Arts, Partners for Livable Communities, Institute of Civil Society, Washington State Arts Commission, U.S. Dept. of Justice, Office of Juvenile Justice and Delinquency Prevention, Colorado Council on the Arts, Ohio Arts Council, Cincinnati Regional Cultural Planning Committee, and Arts and Sciences Council of Charlotte, North Carolina, among many others.
Among his many affiliations over the years: board and executive Committee member of Americans for the Arts, member and past president of the US Urban Arts Federation, former member and chair of the National Endowment for the Arts Locals Panel (and also member of numerous other program and policy panels, including Arts in Education and Challenge), former board member of Oregon Advocates for the Arts.
Bulick is survived by his partner Carol McIntosh, daughters Eva and Bita, and grandchildren Kaleb, Darmon, and Dalara. Services will be announced at a later date. Contact McIntosh at carolm
UPDATE:
A memorial and celebration to Bill Bulick will take place from 10 am to 2 pm August 4 at the Performing Arts Building Atrium, Reed College. It includes a variety of activities and tributes, all related to Bulick’s life and concludes with a processional parade featuring Michael Curry’s giant puppets, jugglers, and more. It’s open to the public.
10:00 am: Open Qigong, Tai Chi, Yoga, and Meditation
11:00 am: Memories & Tributes
12:30 pm: Celebration of Life Performances
2:00 pm: Parade & No Host Picnic
Performance by Darrell Grant, Lauren Sheehan, Subahini Ganesan, Tim DuRoche, Ravenwood, Linda Austin, Lyndee Mah, Old Growth Band, Tere Mathern, Taka Yamamoto, Gary Haggerty, Michael Stirling, Shaun Keylock, Reed Wallsmith, Kevin Burke and Portland Taiko.
Link to Facebook Event Page: https://www.facebook.com/events/244424823015689/.